McAuley notes that in this series, "the turning point is when he sells out to the Americans. In Le Bureau des Légendes (The Bureau), a multi-award-winning spy drama starring Mathieu Kassovitz ( La Haine), a French agent betrays his country for love – and the assistance of the United States. In my reporting, I would hear all the time: 'we don't want to have Walmart-style supermarkets in our town, which will ruin all the small businesses'." "The gilets jaunes – at least in the eyes of some of its protestors – was an uprising against the globalised market economy and thus what is called 'Americanised society'. "In the French imagination, globalisation and Americanisation are synonyms", says James McAuley, a Paris-based columnist for the Washington Post. It also captures the deep swell of resentment in France about the power of multinational companies and their unsentimental ruthlessness towards employees.
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The series is perceptive about France's fraying social contract, and the chasm between corporate sheen – its sleek logos and effortless curved surfaces – and the sharp reality of the shop floor. As Lupin became the streaming service's most watched show of the first quarter of 2021, with 70 million views globally in its first month, the newspaper Libération reported that the world was now " chaud lupin" for French television (a pun on the phrase "hot bunny", meaning horny).
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Is rewatching old TV good for the soul?Įven before the pandemic, Anglophone audiences had started tuning into foreign-language series in record numbers, with the number of US viewers of Netflix's foreign-language content leaping 50% in 2020. Just as "Nordic Noir" captured the world's imagination at the start of this century, the past decade has seen the evolution of television's so-called "new French Wave". An industry once derided for producing derivative melodrama – and always in the shadow of French cinema – finally seems to have found its own voice. Series such as Call My Agent!, The Bureau, and Lupin were streamed globally and acclaimed for their flair and originality. During the long, lonely evenings of lockdown, the world turned to French television.
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